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I once heard somewhere that you re-create
yourself every 7 years. More specifically people tend to change jobs or careers every 5 - 7 years. I think as a committed
artist, this has been proven completely true in my life. I've been employed as a bartender, waiter,a hotel manager, a graphic
artist, a scenic artist, an art director, a dj, a restaurant owner, a chef and most recently a "struggling" artist.
In the late '80s that 7 year itch hit me hard. I was employed in
marketing for a cabaret style concert venue in Hampton Beach, New Hampshire, and moonlighting every evening as a bartender
- to "pay the bills"; but as it always does, my creative drive was calling for more in my life. I decided their had
to be something I could do in Hollywood,.... Movies. Countless others have ventured to Hollywood to make their mark and countless
more will in years to come, but in 1989, I packed up my stuff and drove away from southern New Hampshire in a rented U-haul.
I did have a moment of sanity and decided I would back door my way in to Hollywood via Orlando Florida! Huh? Actually it
was a smart move - you see they were building Universal Studios Florida at the time, and I figured they must need creative
people in the process. Sure enough my theory proved correct and shortly I found myself employed as a scenic artist at the
newly constructed theme park. It took artists like myself to turn the new construction across the park and movie backlot to
give it that look of realism, that look that it had always been there. Our team painted everything from rocks, to rust, to
faux bird droppings! To celebrate the
opening of the 'Movie Studio' in 1990 they planned to actually film a movie there. That movie was to be "Psycho IV" the fourth
sequel to the 1960 Alfred Hitchcock thriller 'Psycho'. The movie would star Anthony Perkins as Norman Bates and the Bates
Motel and Psycho house would be built on the backlot (the original motel and house is at the Universal Studios in Hollywood)
I knew I had to work on that movie and promptly began hounding
the lead painter on the film crew, for a job. I was hired on to the art department for the movie and had the amazing opportunity
to re-create exactly, one of the most famous film sets in movie history. We recreated the motel, Bates house, mother's room,
even the famous shower!

I actually became the on-set artist for the film, meaning that
I worked alongside the director, Mick Garris. As he looked through the lense of the camera he would direct me to problems
with the set. It was my job to fix the issue, on set, at the moment, sometimes as the actors waited. The experience was amazing.
Working alongside such a classic actor as Anthony Perkins as Norman Bates, was an amazing experience. We actually became good
friends and through the years leading to his death - I spent time at his house. Even after his death, his wife (Berry Berenson)
maintained our friendship, employing me to paint the house, even decorating an altar she had built for Anthony's ashes. As
a sad side note Berry Berenson was on United Flight 11 that crashed into the World Trade Center on 9/11. Psycho IV went
well and it wasn't long before the producers invited me to follow them to Hollywood for their next project. So once again,
I packed my belongings and hit the roads again - this time bound for Hollywood!
Read an interview with Psychomovies.com about my Psycho involvement!
Over the next six years I was employed on 19 different feature films. As scenic artist, as set dresser, as special
effects, even as art director. It was an amazing time in my life as I criss crossed the country living in the movie experience,
that I was working on at that moment!

We filmed in Hollywood, in Seattle, in Memphis and St. Louis. We filmed
in Yuma Arizona, Oxford Mississippi and Tuscon Arizona. We filmed on the edge of the Grand Canyon and on the streets of New
Orleans. We filmed at night and in the day. We made rain and we made smoke; we made lots of smoke! We made Vietnam and we
made ancient Egypt. Westerns, comedies, thrillers and science fiction. The '90s were filled with memories and adventure that
today, except for the pictures, could easily feel like a dream!!

The Filmography of Jon P. Mooers
The Adventures of Superboy - 1990 Orlando Florida, Viacom Somebody
Has to Shoot the Pictures - 1990 OrlandoFlorida HBO Psycho IV - The Beginning - 1990 Orlando Florida, Showtime Murderous
Vision, 1990, Hollywood, USANetwork Missing Pieces
- 1990 Hollywood, Orion Pictures Cast a Deadly Spell - 1991 Hollywood, HBO The Hand That Rocks The Cradle - 1991 Seattle,
Touchstone Universal Soldier - 1991 Hollywood, Arizona, Carolco/Tri-Star The Gun in Betty Lous Handbag - 1992 Oxford
MI, Touchstone CB4 - 1992 Hollywood, Universal Pictures Tombstone - 1992 Arizona, Touchstone Pictures Posse - 1992
Arizona, Gramercy Pictures Skeeter - 1993 Hollywood, New Line Cinema Stargate - 1993-4, Arizona, Hollywood, Carolco/Tri-star The
Tie That Binds - 1994 Hollywood, Interscope Money Train - 1994 Hollywood, Columbia Pictures Soul of the Game - 1995
St. Louis, Hollywood, HBO Independence Day - 1995 Hollywood, Arizona, 20th Century Fox Albino Alligator - 1995 Hollywood,
Motion Picture Corp of Am.
Various national and international commercials
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